The alpha is not supposed to have sharp edges like this.ģ.Default brush mode, Sharp Shape (Old Style): OFF, ( Focal Shift -65%) This brush stroke uses the same alpha as 1. This makes it impossible to draw dots with the setting enabled.Ģ.Default brush mode, Sharp Shape (Old Style): OFF, ( Focal Shift 0%) If that issue would get fixed, it would behave correctly for texture painting purposes.Īnother issue, but a minor one is that when the 'Sharp Shape (Old Style)' setting is enabled, the brush doesn't draw anything if you just click on the object, you have to click & then drag to get anything to appear. These settings produce the correct alpha but it has the self intersecting issue shown in the first screenshot. This is what the alpha/ brush stroke should look like because the alpha is supposed to have very smooth edges. Sharp Shape (Old Style): ON, ( Focal shift 0%) I couldn't fit any text on the second screenshot so I'll write what's wrong with it here: I attached some screenshots of my tests with the new version below. What exactly was changed? There isn't anything mentioned about the issue in the release notes either. This should get you going enough to really play a bit.I tested all new versions, even the beta 4.8.34 and I didn't see any difference in the brush behaviour. Tools I use the most are at the top of the left hand side: Grow, Smooth, Scrape, Pinch, Smudge. Your interface does not look like mine, but you can move those interface sections around to suit your organizational desires. Usually for stamping options using the Alphas, I use the 'Extrude' tool. When you do this, your model will be resampled into the sharp edges you expected. I usually decide by a quick test of how fast it will stamp things or the grow or smooth tools operate. This will be way too low to preserve detail so, I usually start somewhere around 1,000,000 and 2,000,000 to see if it is what I want. Just left click into the value field and it will pop up a dialogue that lets you retype the numbers to your liking. It usually (not always) defaults to some odd voxel value like '200,000'. Now, this can be a bit tricky until you get a feel for what you are working with. Where there is an 'S' on that new layer, left click and it will bring up the 'convert to Voxels' dialogue. It will remain when you duplicate the layer.ĭuplicate a layer to preserve my original model (G). Click on a 'colour box' in the 'Shaders' box. This preserves the raw model without changes. I find this useful if I am doing work and want to save 'stages' of development. Where you can increase resolution if you want to 'slow down' the effects of the tools. I just put them there because I use them a bunch and want them very easily accessible.į. Keeps you from getting the 'black' look you got on your model import.Į.

I use the Polymer colours for colouring my models to differentiate between parts or just setting a base colour. For instance, this is a set of transorms from 'JRO Tools.' Not that expensive and very, very useful. This is the 'Ornament Alphas' I use for a lot of my decorative things. So, you just hit 'Reset Space' and it puts the transforms back to their original values.Ĭ.

If you bring in a new model into a new blank layer, it will remember that. Say, if you move and scale and rotate (transforms in 3D parlance) it will remember that. Make sure you 'park' the 'Tool Options' to make it easy to get to things. This button will toggle you between orthographic and perspective modes.ī. Here is a quick breakdown on the basic interface as I use it for modeling:Ī. Why? So you have a lo-rez proxy in back up. BUT!! make a copy of the object then convert.

Ahhhh, ok, here is the trick with getting something into 3D coat.įirst off, if you are looking to add texture to the model, then you must convert to a volumetric object.

3d coat alphas